Publisher: John Chard May 16, 2024
It Lacks Qualcast Quality. The Lawnmower Man is directed by Brett Leonard who also co-writes the screenplay with Gimel Everett. It stars Pierce Brosnan, Jeff Fahey, Jenny Wright, Geoffrey Lewis, Jeremy Slate and Dean Norris. Music is by Dan Wyman and cinematography by Russell Carpenter. Dr. Lawrence Angelo (Brosnan) is a big mover in the science of virtual reality. When he tries his new technology on mentally challenged gardener Jobe Smith (Fahey), it elevates him to a higher intelligence and it’s not long before Jobe acquires scary new powers… Originally meant to be, and titled as, Stephen King’s Lawnmower Man, the film eventually, after a King lawsuit, ended up bearing very little resemblance to the author’s short story. There’s a couple of small ligaments that link the two, but in the main (not Maine) this Lawnmower Man is its own entity and an obvious attempt to cash in on the then virtual reality zeitgeist. Lawnmower Man has a cult fan base, of that there is no doubt, where much like Tron from 10 years earlier, the effects work and the capturing of something very much being “in” with the youth of the time, has proved perpetually appealing to nostalgists. But strip away these and you have your basic Frankenstein story for the 90s, a pretty standard story lacking intelligent smarts or deep thematic points of worth. And then of course there is the bizarre fact of having a film decrying the advancement of computer technology, by using computer technology to make the film’s strongest moments! Hee. It’s only adequately performed by the cast, and Leonard’s direction matches his writing, which is mundane when not about the visual effects; effects work that dated very quickly as it happened. Other cuts and sequels would follow, the former didn’t improve the same basic problems of the theatrical cut, the latter releases proved to be laughably bad. The Lawnmower Man, an interesting movie in the context of its time, and certainly fun enough for those who were there cloaked in a visually inspired warm glow, but it has not been a must see film for anyone else since 1995. 4/10

Publisher: Gimly June 23, 2021
Ahead of its time. Unfortunately, the technology it uses was not. Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.

Publisher: Wuchak November 8, 2026
***The rush to reclaim lost knowledge via virtual reality must be tempered with wisdom*** This combines bits from Stephen King’s tale with the original screenplay “CyberGod” by Brett Leonard and Gimel Everett. King’s story was just too short for a feature film, so it was a wise decision, but he sued to have his name removed from the credits. At heart, it’s a tale of absolute power corrupting absolutely, similar to the (second) Star Trek pilot “Where No Man Has Gone Before.” It’s also comparable to movies about people who acquire fascinating powers, such as “Resurrection” from a dozen years prior, as well as future films like “Powder,” “Phenomenon” and “Youth Without Youth.” It further brings to mind the Frankenstein story along with the last act borrowing from Roger Stern’s Avengers issues #253 and #254 from early 1985, which featured The Vision entering cyberspace to (supposedly) save humanity from itself. It cost $10 million to make, which was less than a major studio movie at the time, but it was nothing to sneeze at either. So, production wise, it places in the unusual middle ground between an ‘A’ film and ‘B’ flick. Being made in1991, the CGI is quaint and cartoonish, but that could be viewed as part of its charm. Even though the character of Harold Parkette and what happens to him, as well as the red lawnmower, are the only bits borrowed from King’s story, the movie nevertheless feels like a Stephen King yarn with the comic book tone thereof. For instance, the Catholic minister is reminiscent of a similar caricature in “Silver Bullet” whereas the presence of a shadowy govt agency brings to mind the same in, say, “Firestarter” and “The Tommyknockers.” Pierce Brosnan stars as the troubled protagonist three years before taking over the role of James Bond while Jeff Fahey costars as the object of the former’s experiments. He convincingly plays a mentally challenged young man and his transformation is effective. Meanwhile Jenny Wright is notable as the oversexed widow of the neighborhood. It runs 1h 48m and was shot in the Greater Los Angeles area at Semi Valley (the institute), Pasadena (neighborhood) and Newhall (diner). A Director’s Cut is also available that adds over a half hour of additional material. GRADE: A-/B+